Dalma Stella Rodríguez Fracarolli, known as Dalma Milevos, is a leading actress of Uruguayan nationality but based in Argentina in 1970. She chose her stage name, Milevos, after her mother heard it on the street. It is gipsy and means “Mary”.
Dalma Milebo, begins her career winning the International Festival “Costa a costa de la canción” with which she went to Argentina from her native Uruguay, led by Pipo Mancera to “Sábados Circulares”. She did theatre with the great “Tato” Bores and Darío Víttori. She was directed in film and theatre by so many directors, including Juan José Jusid, Fernando Ayala, Héctor Olivera, Hugo Moser, Lía Jelín, Daniel Barone and Santiago Doria. In musical comedy, she was part of the original cast of “Aquí no podemos hacerlo” and also “To the capital”, both by Pepe Cibrián Campoy; he also participated in “El sombrero de traja de Italia” at the Cervantes, “Allá por el Veintitangos”, “El Pequeño Burgués y la Gatita ” and children’s musicals with Hugo Midón. He edited records for CBS in Uruguay and several for Philips in Argentina and participated in International Shows such as “Don Francisco” and “El Show de Velazco” as a singer.
In 2004 she participated in Sin código.
In 2006 she participated in the successful soap opera Sos mi vida; she had the role of Nieves Ferreti, the adoptive mother of Enrique Ferreti “Quique” (Carlos Belloso) and Esperanza Muñoz “La Monita” (Natalia Oreiro).
2007 she moved on to the afternoon soap opera Mujeres de Nadie. She plays Marita, the mother of “Pepe” (Campi).
On September 27, 2011, she participated in the unitary Historias de la primera vez. Her character is Isabel.1
On May 23, 2015, Dalma returned to the stage in a “musical” called “I Always Wanted to Be Bette Davis”, a musical play written by Fernando Albinarrate under the direction of Héctor Presa. The performances were every Saturday at 8:00 p.m.: 30 pm at the Molière Theater, Balcarce 682, San Telmo.
This musical tells the story of Flora Consuelo Gutiérrez, who, since she was a child, and due to deep admiration and forced empathy with Bette Davis, she tries again and again for a career as an actress.
While Bette is always a reference, at the same time, she is an unreachable shadow that constantly confronts her with many frustrations. The world of Hollywood is unattainable, and the experiences are non-transferable, something that Flora will discover throughout her own experiences, which lead her to find herself and her vocation.
Cine
1983: “Diablito de barrio”
1983: “Se acabó el curro”
1984: “Pasajeros de una pesadilla”
1985: “El telo y la tele”
2013: “Nos habíamos ratoneado tanto”
Televisión
1971/1972: “Sábados circulares”
1981: “Tato por ciento”
1982: “La tuerca” – Canal 11
1984: “Historia de un trepador” – Canal 13
1990: “Matrimonios y algo más” – Canal 13
1991: “Detective de señoras” – Canal 13
1992: “¿Dónde estás amor de mi vida que no te puedo encontrar?”
1992: “¡Grande, Pa!” – Telefé
1992: “Tango”
2000: “Ilusiones compartidas” – Canal 13
2004: “Sin código” – Canal 13
2006: “Sos mi vida” – Canal 13
2007: “Mujeres de Nadie” – Canal 13
2011: “Historias de la primera vez” – América TV
2021: Cantando por un sueño 2021.
2021: Pequeña Victoria”.
Teatro
1978: “Aquí no podemos hacerlo” – Teatro Embassy junto a Graciela Pal, Edda Bustamante, Ana María Cores, Luisa Albinoni, Sandra Mihanovich, Deborah Warren, Juan Leyrado, Edgardo Moreira, Ricky Pashkus, Enrique Quintanilla y Débora Whamond – Dirección: Pepe Cibrián Campoy.
2015: “Siempre quise ser Bette Davis” – Teatro Moliere – Ganadora del Premio Hugo al teatro musical 2015 en el rubro Mejor unipersonal musical.
2018-presente: “La cama de la Damelia” – unipersonal musical escrita y producida por Gustavo Gato Nuñez
Discografía
1985: “Tiempo de amor” – POLYDOR
Simples
1986: “Soy la gata / Algo cruza por tu mente” (Simple) – POLYDOR
